Meet the Merchant: FARMHOUSE

Meet the Merchant: FARMHOUSE

Crafting Comfort: Inside the Vision and Success of Renee’ D’Agostino, Owner of Farmhouse

With a keen eye for detail and a love for creating beautiful spaces, Renee’ D’Agostino founded Farmhouse and has since built a successful home goods store on the Canton Square. In this interview, she discusses her path to entrepreneurship and the key factors behind her store’s success.

Tell me a little bit about yourself, Renee’! Where are you originally from?

My name is Renee’ D’Agostino. I was born and raised in Atlanta, Illinois. I attended Illinois State University and then transferred to The University of Nevada Las Vegas. While in Las Vegas I worked in the golf industry and became submersed in that industry. I worked in golf, including for the PGA TOUR event here in Mississippi, until 2016. I am married to Tom D’Agostino and have one son, Cooper, who is a 5th grader at MRA. I enjoy family, fostering animals for local shelters, projects, and dreaming up what else I can experience before I’m too old.

How did you become an entrepreneur? What was that journey like for you?

When I think back to my childhood, I remember always moving my room around every weekend, helping my Dad, Mike, with construction projects around the house and my

Mother, Carol, was like Pinterest before it existed. My grandmother was a business owner, and I think I was just destined to be an entrepreneur. I didn’t ever think it was possible for someone like me to open their own business, so for years it was just a thought. I was

working in the golf industry when things started to change, and it was just the perfect time for me to make my exit and go for what I had been dreaming of.

Tell us a little bit about Farmhouse. When did you first open the store?

Originally when I opened the Farmhouse, July 8th, 2016, my plan was to sell some of the beautiful farm tables that my husband, Tom, makes and some goods I would get at market. Little did I know my clientele had a different idea. Before I knew it people were requesting furniture and rugs and all kinds of things I didn’t really think about carrying. Throughout that year, I started ordering different items and trying different things with our clientele. In September of 2017 I purchased our current location due to outgrowing our original space. Purchasing a historic building in Canton has been an experience I will never forget.

I will never forget my first look at the building. People were like, “what a mess, what are you going to do with this?” The very first time I walked out of that building I had a vision of what I wanted “Farmhouse” to look like. My dad, Mike, and my uncle, Rick, came from Illinois to help remodel the building. The entire remodel took approx. 4 months, and I couldn’t have loved the result more. Some of our most popular items are furniture, home décor and lighting. We always enjoy the Flea Market days as it brings customers in that have become like family after all these years. I would have to say though, Christmas is my favorite. Each year we close the store for 5 days and turn the store into a magical wonderland. We always have our Christmas in place prior to the fall Flea Market.

What would you say are the key elements to starting and running a successful business?

I’m honestly not really a businessperson like most should be that own their own business. I honestly believe that prayer, grit and resilience will take you a long way. I have been so

blessed with a staff that understands what my vision is, and they all have a special way of making our clients feel welcome. I truly believe you must have amazing staff to have a

successful business in this world today.

What made you decide to open Farmhouse on The Square? What makes Canton special as the home of your business?

Tom and I lived outside of Canton, and I remember driving through The Square from time- to-time thinking, “why aren’t there more businesses?” I always knew that if I ever was to pursue my dream it was going to be on the Canton Square. I wanted to give all I had to making the Square more visible to people and desirable to shop at.

What do you hope to see in the future for small businesses, especially in Canton?

I would love to see more support from our governing body. I feel like Canton is a special

town with a beautiful square that has so much potential. I would love to see the buildings that are vacant and unkept to be taken over and beautified.

What advice would you give to a fellow entrepreneur just starting out?

My advice would be if you dream it, you can do it. Take that from someone that never thought this could be my life…. It can.

Where do you hope to see your business in five years?

I hope to see the Farmhouse still servicing clients on the Canton Square and hopefully doing better than ever!



Meet the Merchant Elegant Designs, Handwritten Dreams: Meet Shalondria Hill, the Creative Force Behind Open Invitation Stationery

Meet the Merchant Elegant Designs, Handwritten Dreams: Meet Shalondria Hill, the Creative Force Behind Open Invitation Stationery


Meet the Merchant Elegant Designs, Handwritten Dreams: Meet Shalondria Hill, the Creative Force Behind Open Invitation Stationery. Today,we’re sitting down with Shalondria Hill–female entrepreneur and owner of Open Invitation Stationery located on the historic Canton Square..In this interview, Shalondria offers her wisdom and expertise–in how one can build rapport with clientele,to the steps you must take when it comes to building a business from the ground up in small town Mississippi.

Open Invitation Stationery – 171 W Peace St., Canton, MS, 39046

It’s lovely to be sitting down with you today, Shalondria! I’m eager to learn more about your business and how you’ve grown to be where you are today. Can you start off by telling me a little bit about yourself and how your business began? What inspired you to take the leap into this industry?
Of course! I’m thrilled to be sharing my journey. My name is Shalondria Hill. I’m from Jackson but currently live not too far from the Canton Square. By education, I’m a social worker and worked in the social work field for over 20 years. When I got married, I made my own stationery for my wedding. I enjoyed crafting and over the years, friends and acquaintances asked if I could make custom stationery for them, and it flourished from there.
In 2016, I transitioned out of my career in social work and began working fulltime for myself. I’ve now had this business for over twenty years. As the years have gone by and my business progressed, I grew outside of the space my home could allow. So, I needed to find somewhere that could accommodate all my equipment, which led me to where we’re based today. I eventually landed here in Canton and April 1 st marked my first anniversary of opening the store. I have to say, it’s been a heck of a year.

What were some of the initial challenges you faced when transitioning out of your career in social work to start your own business?
It was challenging for me because social work was all I had ever known. I was used to working for others and with others. I loved the company I worked for, but it was very demanding. My office was open seven days a week, 24/7. I was the director of the agency, so I was always on call. My husband nudged me to "retire", and after three months of praying while resisting, I gave in. The first year was a hard transition because I was working from home, my children were in school and my husband was at work, so it was very quiet. I didn’t have much social interaction during that time, which fueled my need to seek out other local creatives.

Are there any resources or support systems you found particularly helpful in achieving that need to engage with other creatives?
I definitely was able to find what I was longing for. My goal was to meet others and learn from them, whether it was how to market a business or things I could do to home in on my skillset. I happened upon a group called the Rising Tide Society. They’re a nonprofit organization led by a board of directors who are passionate about supporting small business owners. The group welcomes small business owners and creatives to share their diverse perspectives and skills to create an environment that fosters professional growth. I found the Jackson Chapter of the organization and joined. We met once a month to discuss different topics that were geared towards helping us improve our business, and finding that community helped me immensely in not feeling alone on my journey.

(Read more about The Rising Tide Society here):
Rising Tide Society | Small Business Community

Another group that helped me tremendously, beyond measure is The Society for Creative Founders. This group and the amazing women that call themselves alumni, poured into me, inspired and motivated me. That deserves an entire interview by itself!

What would you say were the key turning points that aided your journey in the right direction?
Being open and truthful about what I needed to succeed most definitely propelled me in the right direction. I didn’t go to school for art, nor graphic design. I was teaching myself along the way, and if I couldn’t find what I needed to learn online, I may have been hesititant because of the cost but I paid a professional in that area to teach me. That's called investing in yourself. Getting over the feeling of being inexperienced or scared and being able to ask for help was key.

I absolutely relate to that! Getting out of your own way is the best thing one can do. How do you stay innovative in your designs and offerings? Are there any upcoming trends or new products you’re excited about?
Staying innovative in our designs involves a combination of research, creativity, and client feedback. We continuously monitor industry trends, attend conferences, and draw inspiration from various sources, including fashion, art, and nature. One upcoming trend we’re excited about is the use of luxe mediums other than paper for our designs. We’re currently experimenting with interactive and 3 dimensional elements in our design process.

What sets your stationery products apart from others in the market? Do you have any signature products or collections that you’re particularly proud of?
At Open Invitation Stationery Boutique, our commitment to quality, personalization, and creativity sets us apart. Each piece is designed with meticulous attention to detail, ensuring that every element reflects the unique personality and theme of our clients' events. We use professional equipment and only the finest materials, including premium paper stocks, luxurious envelopes, and elegant embellishments, to create stationery that feels as special as the occasion it represents. Our designs are not only beautiful but also thoughtfully crafted to be cherished keepsakes, ensuring that our clients and their guests will remember the special day for years to come.

How do you approach customer service and building relationships with your clients?
Customer service and building relationships are at the core of what I do. I believe in a personalized approach, taking the time to understand each client's needs, preferences, and vision. From the initial consultation to the final delivery, I try to maintain open and transparent communication, ensuring that our clients feel supported and valued throughout the process. I offer guidance on design choices, etiquette, and even event planning referrals and tips, going above and beyond to make their experience as seamless and enjoyable as possible. Many of our clients become repeat customers and even friends, which is a testament to the strong relationships we strive to build.

Can you share any memorable stories or feedback from customers that have particularly touched you?
Absolutely! One memorable story comes from a couple who had a special vision for their wedding stationery. They wanted to incorporate elements from the location of their destination wedding. We designed an invitation suite that resembled a passport, included a "boarding pass", complete with a custom monogram and laser cut and engraved airplane as a suite embellishment.

Additionally, what made our relationship so special to me was that we had NEVER met! They didn't live in-state, our consultation was over the phone and when I asked how they heard about me, it was from a relative who had seen some work I had done for a celebrity fundraising event.

To add, even though they approved the design concept, they requested I mail their invitations to their guests, a luxe service we provide. The majority of their guests actually saw the final production of their invitations before they had. The bride called me, overjoyed with all the compliments received. Their guests raved about the unique and sentimental invitations, which added a special touch to their wedding day. This feedback touched me deeply and reinforced my passion for creating personalized and meaningful stationery.

Another memorable moment was with a client who had experienced a significant loss in her family shortly before her wedding. She wanted to honor her late mother in a subtle yet meaningful way. We incorporated her mother’s favorite flower into the invitation design, along with a heartfelt quote that held special significance to the bride. When she saw the final product, she was moved to tears, expressing how much it meant to her to have her mother’s presence felt on her special day. The gratitude and emotional connection I felt from this experience was truly unforgettable.

These stories remind me of the profound impact my work can have and inspires me to continue creating beautiful and meaningful stationery (and gifts) for all of life’s special moments.

Those are such beautiful, touching stories. It really shows the impact a business like yours can have – you can really touch people’s hearts. Open Invitation Stationery has grown exponentially in a relatively short amount of time. What are your future goals for your business?
In general, I would like businesses to be more helpful to each other in creating a community that is supportive of everyone in it. I hope to see more events created by local business owners as well. I ask every customer who comes into the store where they’re from, and I can count on my hands the number of people that live here and shop local. I do have faithful customers that are locals and shop with me, so I’ve developed a relationship with those clients over time, but the majority are not local to this area. I would love to see that change in the future.

What advice would you give to someone looking to start their own business, particularly female entrepreneurs?
Specifically, to other women, I would say to just get out of your head. I wish I could tell my younger self that when I first began this journey. I would tell her to put herself out there and don’t be self-conscious or anxious about taking a risk. You have what it takes. The financial aspect can be daunting, but you don’t have to start out huge. Start out small and grow from there. It took me several years to get to where I am today, and I don’t know what tomorrow holds, but while I’m here, I am going to relish in the moment and try to make it the best that I can.


Artist Spotlight: Interview with Jim Huckabay

Artist Spotlight: Interview with Jim Huckabay

Jim Huckabay's painting "After Covid"

Jim Huckabay talks about his piece After Covid, and how the pandemic influenced not  only artists, but art itself.

I’m thrilled to be sitting here with you today, Jim! I was enamored by your piece, After  Covid. Before we delve into the details of the piece, tell me a little bit about yourself  and how you got started with the Mississippi Art Colony. 

I’m thrilled to be chatting with you as well. I’m Jim Huckabay and reside in Shreveport,  Louisiana. I grew up in an Air Force family, so we moved frequently as I was growing up. After pursuing a solid fine art curriculum at Louisiana Tech, I graduated with a BA in  Advertising Design. Entering the profession as a junior designer in ad agencies, I became an art director, creative director and eventually began my own design firm. Business was good  and eventually; my little firm grew into a full-service advertising/marketing agency.  

Upon my exit from the world of business, I began working with watercolor (a medium I had  become familiar with in commercial assignments), then transitioned to acrylics and oils.  Currently, I work in both oils and watercolor. 

What has your experience being a part of The Art Colony been like? 

My experience has been delightful. Being part of Mississippi Art Colony, I’ve been given the  opportunity to go shoulder-to-shoulder with accomplished artists. It’s inspiring to observe  their individual/unique approaches to their creative processes. In turn, hopefully they enjoy  

observing mine. I have been in the art field for several decades. At Colony, it’s a give and  take – we share, we receive, and we will reap the benefits of our collective energy. 

Your piece is titled After Covid. How did the pandemic affect, or even inspire you as an  artist? 

Well, many of us continued painting during the pandemic. The Art Colony sessions ended for two years, but I was painting at home using watercolors and oils a lot. One day, I was out  at a local restaurant. In a way, it was one of the first times people were getting out and  about and dropping down their masks since the start of the pandemic. I captured images  around the restaurant that inspired me to paint them. In one of the photos, everybody had  just finished breakfast, and there was a man seated alone finishing up his meal. He really  captured the look of the whole scene. That man is the principal character in the foreground of the painting, and you can see that there’s a mask hanging from around his neck. Most of  my pieces are nature-oriented, so figures like the one displayed in my image are kind of an  exception for me. 

What advice would you give to a young artist when it comes to advancing themselves  artistically and learning about this field? 

I would say that these days, there’s so much inspiration and instruction that can be found  online. The internet and YouTube are tremendous educational resources that offer great  materials to accelerate growth for individuals and their unique creative paths. In my  opinion, it does help to attend specific workshops when you feel drawn to specific work  that’s aligned with what you’re doing.  

Richard Stephens was extremely helpful and inspiring to me during my initiation into the  world of watercolor. I have other artists whom I admire, and I do indeed draw enthusiasm  and momentum from them, but the end of the day, I am my own person and follow my path  (and brush strokes) in my evolving style and approach to painting.  

Find Jim: 

Jimhuckart.com

Artist Spotlight: Interview with George Ann McCullough

Artist Spotlight: Interview with George Ann McCullough

Pictured: George Ann McCullough’s piece, A Patch of Blue, on display at the Mississippi Art  Colony’s Traveling Spring Showcase in Canton, Mississippi. In this sit-down, George Ann  delves into her start with The Colony, and the style that shapes her artwork.

Tell me a little bit about yourself, George Ann! When did you join the Mississippi Art  Colony? 

Well, my roots are in teaching! I have a background as an art teacher and have a teaching certification for all levels. After teaching for several years, I decided I wanted to start  making my own art. When I moved to Mississippi, I got involved with the Mississippi Art  Colony. I personally knew one of the founding members, Hosford Latimer Fontaine, and  she was the one that got me involved. That was in the early 80’s; and I have to say, it was  the best thing that ever happened to me. Since joining The Colony over 30 years ago, I have  only missed one Colony gathering. We’re the oldest artist-ran Art Colony in the United  States, and we’re still going strong, trying to recruit younger artists who are interested so  we can continue this legacy.  

To go a bit further into the beginnings of not only my journey with The Colony, but The  Colony itself, I must mention how Colony came to be, from my understanding. My friend,  Hosford Latimer Fontaine, and her sister-in-law, Leigh Latimer, whose family owned  Allison’s Wells, were trying to figure out what they could do with it in the off season. So, a  couple - Carl and Mildred Wolfe, were tasked with that challenge. Mildred went to Alabama  where the Dixie Art Colony was located. The Mississippi Art Colony was originally founded  on the same premises as the one in Alabama. However, the Dixie Colony wavered and  dissipated over time. I remember a member from that group coming to one of our sessions  in Mississippi. They wanted to revive the Dixie Art Colony, so they came to see what we  were doing. Then, they went back to Alabama and started their own Colony. I thought it was  interesting how everything really came full circle. 

So, you would say The Colony has been a big part of your life? 

It has. I was on the board for 18 years and President for three. I’ve been quite involved with  the workings of the organization. 

Being involved with the organization so closely for so many years, how do you think  The Colony has evolved over time? 

I would say The Colony has gone through different phases (relocating, etc.), but at the end  of the day, it’s just a continuation of people that are heavily vested in the arts. We’re like  one big family and are very supportive of one another. However, I won’t say that we are not 

competitive, haha. I can’t imagine that I would have had the growth I’ve had as an artist if I  wasn’t involved in the Colony. 

Every artist I’ve spoken to has told me how supportive The Colony is. What an  incredible organization to be a part of! Can you tell me a little bit about your piece  that’s on display? 

Yes, of course! My piece on display is called A Patch of Blue, an acrylic and mixed media  piece. I throw everything but the kitchen sink into my work sometimes. I love using different  materials and combining them into one piece. A Patch of Blue is comprised of collage,  layers upon layers of paint, paper, acrylic paint peel, etc. I think I would have to look at the  piece again to remember everything I put into it.  

What draws you to mixed media? Do you gravitate towards that style often? 

I do! Due to my art teaching background, I have a lot of tools and techniques in my arsenal.  I’ve always been drawn to collage and printmaking. Putting things together and it all just  working is a magical thing. I generally just keep layering until I feel I can’t say anything more.  

Can you tell me about your time in Canton? What support do you think the arts would  benefit from in a town like ours?  

Well, I’ve lived right down the road in Madison for thirty years, but my husband is originally  from Canton, so I do certainly feel a connection to the area. Canton is a great little town  with so much history. I know the town really strives to bring people together. When talking  about supporting the arts in a community like yours, I think community outreach is the  most important thing. 

We absolutely agree! If you could offer one piece of advice or tell a young artist  anything whilst they’re finding their creative voice, what would you tell them? 

I would tell them to keep working and be true to themselves. Don’t depend on other people’s opinions of your work. You must accept criticism, but also know yourself – know  what makes you happy and lights you up. 

Find George Ann: 

Facebook: McCullough George Ann Instagram: @mcculloughgeorgeann

Artist Spotlight: Interview with The Mississippi Art  Colony Director, Kim Whitt

Artist Spotlight: Interview with The Mississippi Art Colony Director, Kim Whitt

Canton Tourism sits down with Mississippi Art Colony director, Kim Whitt, to discuss her  distinct artistic style and the importance of having a creative community to lean on.

Good morning, Kim! We’re thrilled to be chatting with you today.  

I’m happy to be here. You just caught me on a cross country road trip! 

Oh, wow! I hope you’re having an amazing time! 

Definitely. I just made it back home to Mississippi.

Are you originally from Mississippi?  

I’m not. I’ve been here for about fifty years, but I grew up in Charleston, South Carolina. I  went to college at USM.  

A true southern bell! Can you tell me about your roots as an artist? How did you get involved with the Mississippi Art Colony?  

I’ve always been an artist. I’ve been surrounded by creativity my entire life. When I was  younger, I was a dancer and majored in cultural anthropology. In school, I studied the arts  and crafts of cultures around the world. I think I was just born with a very creative mind, and I was lucky enough to have parents that fully encouraged me to express myself. 

I began working for the MS Arts Commission as the Arts Education Director for nine years  until I retired in 2014. I worked with the Art Colony quite a bit during my time at the Art  Commission. When I retired from MAC, I realized I had the opportunity to go to this  organization that I had worked with. I was aware of how they operated, and the people  involved, so I dove at the chance to be a part of it and learn how to be a better artist. I joined  the group and was asked if I would like to serve as the Director because of my experience at  the Art Commission. I loved the Art Colony group tremendously and thought that I could  use the resources I learned from the Commission to help them grow, so I happily accepted  the offer. After 2020 and the pandemic, we've hosted our Spring and Fall retreats at Lake  Tiak-O'Khata every year, who have been so supportive of The Colony and a beautiful oasis  to look forward to every year. 

One of your paintings, Shady Grove, is on display as part of the Spring 2024 Exhibit in  Canton, MS. What’s the story behind this piece? 

Shady Grove is an oil landscape on canvas. I’ve always been attracted to landscapes as my  subject because I live in beautiful South Mississippi. Trees have always been a significant part of my work and I wanted to approach them in a more explorative way. I did a body of  work last summer that focused primarily on color. I called that series “Dreamscapes” and  really dove into working with color and texture. I wanted to approach landscapes in a more  imaginative and abstract way. That series was incredibly unique. In that body of work, I tried  to bring the language of textiles to paint. 


Shady Grove by Kim Whitt, on display in the Allison’s Wells School of Arts and Crafts in  Canton, Mississippi 

Can you tell me more about your use of textiles? 

Absolutely! So, I’m also a textile artist (weaving, more specifically) and have been doing  that for 45 years. I was introduced to weaving in the early 70’s. It was an art form that was  being explored back then, and I think we are rediscovering it now. I aim to explore the  intersection between weaving and painting and find a way to integrate the two styles. I do  so by practicing a technique called “painted warp.” In my painted warp work, I use  unconventional material to create landscape references. I wove copper wire, moss, and  various other materials into the pieces. I like using those materials instead of just using  yarn because it allows me to create sculptural landscapes through weaving. By doing this,  I’m trying to create a new artform – perhaps a mixed media form – using elements of textiles and elements of painting. Currently, I’m working on a body of work that will be  shown at the Columbus Arts Council in November.  


How amazing! The technique you described is very unique and inspiring. What gives  you inspiration to create such distinctive pieces? 

I would have to say that my environment and nature is my greatest inspiration. 


What advice would you give to young artists that are trying to find a creative voice that’s unique to them? 

I would tell a young artist that if there’s not a creative, artistic community near them - they  should start their own. You need to find your tribe of people who are like-minded,  supportive, and serious about their work. For example, in Hattiesburg, there’s a group of  about fifteen female artists, called The Women’s Art Collective. We were creative friends  that got together to talk about our artwork and support one another. The MS Arts Colony is  also a great resource. It was made for not only experienced, but also aspiring artists in  mind. We host sessions that basically act as Professional Development Training for artists  and are taught by nationally acclaimed artists.  


For a smaller town, such as Canton, what do you think strengthens and brings the art  community together? 

This is my arts education background speaking, but for Canton, I think having that genuine  authentic brand tremendously helps the arts community prosper. Canton wants to grow  and serve the arts, so providing opportunities for artists in the area is a great way to go  about that. Now that we are slated to have Canton Tourism host The Colony’s Traveling Spring Art show in Canton every year moving forward, I think the town is moving in a  marvelous direction. 

That being said, I also think it’s important for Canton to know what makes Canton special.  As far as the arts go, I would say the Allison’s Wells history is a great start to educate people  about art history in the town, as those are the bones that built Canton’s art community. 


Find Kim: 

Website: kimwhittart.com

Instagram: @kimcwhitt

Facebook: Kim Whitt Art